Zeiss Loxia 21/2.8 – Review

Hello there everybody,

a few weeks back Zeiss, the very company doing these crazy awesome lenses which costs you boatloads of money but deliver amazing results, contacted us with the question if we would like to try a new, yet to announce product. Since this isn’t really a question you can bet I said yes and a few days later a prototype of the new Zeiss Loxia 21/2.8 arrived at our doorstep. Read on a little review of the lens with some general comments and read about two shoots we did with it.

When you’re familiar with Zeiss‘ lens line-up you will know that their Loxia line is specially designed for Sony’s e-mount ecosystem. Since they are all full frame lenses they will mate perfectly with your choice of the A7 cameras. We used it exclusively with my A7 and it performed amazingly well. The lens itself features a full-metal built and is built like a tank. This being said it is more on the heavy side for a lens this size. It is not annoyingly heavy just heavy in a way that speaks for quality. If you want to know how much elements in how many groups you got in the lens please head over to zeiss‘ official website. I usually do not care about that at all since it does not affect my opinion of the lens but what I can do with it. You dial in the aperture through a ring located directly behind the focus ring. That can be a bit fiddly if you’re not used to a lens like this, but shoot with it a few times and over time changing your aperture becomes a piece of cake. Speaking of the focus ring … man, that focus ring. It is as buttery smooth as you would expect it from a lens with the blue badge on it. Focusing with all the focusing aides the A7-series cameras offer works like a breeze. I actually think I would missed more shots due to autofocus imperfections then while shooting manually. It also gets you more connected with your camera and I find it also give you much more control and precision when it comes to focusing. Zeiss also included a neat trick to seal off the lens mount of your camera. The lens features a blue rubber band around the base which makes a tight bonding with your cam while also giving the lens a unique apperance. Overall there is nothing to complain about build or overall quality. It is a perfect example of an amazingly well put together lens which probably last a lot while longer then your camera body itself.

The lens coupled with my A7. It is quite a nice compact setup even though it is a little heavier then you'd expect.
The lens coupled with my A7. It is quite a nice compact setup even though it is a little heavier then you’d expect.
The focus and aperture controls with all the important marking you will appreciate if you're into zone focusing.
The focus and aperture controls with all the important marking you will appreciate if you’re into zone focusing.
Even the lens-hood is made of metal and clicks into place quite securely.
Even the lens-hood is made of metal and clicks into place quite securely.
For all you geeks out there to see that this is a distagon design which also features Zeiss's unique T* coating.
For all you geeks out there to see that this is a distagon design which also features Zeiss’s unique T* coating.

Since we have the opinion you judge a lens best when shooting with it, it was with me most of the time I went outside for the past 2 weeks. In fact we do not want to bore you guys with pictures of our everyday life or trees or test charts since you will find that a lot on the web in the coming days. Instead we both set up two shoots to really put the lens through its paces. Marie did a quick fashion-theme shoot with model Vanessa. And as a tele shooter who mostly works with a 85 or something similar she took quite some time to get into it. That being said a 21mm lens isn’t the first that would come to your mind when you’re doing people shots since your really have to be very careful about distortion so you will not end up turning your model in an alien of some sort. In the end I must say she produced some stellar results even though she is hoping for a Loxia 85mm in the very near future. (Hey Zeiss, you got that? ;))

Model Vanessa in front of a unique landmark in our city. Marie Baersch, Sony A7, Zeiss Loxia 21/2.8.
Model Vanessa in front of a unique landmark in our city.
Marie Baersch, Sony A7, Zeiss Loxia 21/2.8.
When you’re shooting people with a wide-angle be sure to have nothing
of your subject in the extrem edges of the frame to avoid distortion.
Marie Baersch, Sony A7, Zeiss Loxia 21/2.8
Wide-angles in people photography give you quite a lot of unique shooting possibilities,
for example shooting an nearly full body shot from above with a ladder! 😉
Marie Baersch, Sony A7, Zeiss Loxia 21/2.8.
We have been quite amazed how much depth you can create with a wide angle
and a relatively slow aperture of 2.8. But yeah, this lens also makes your image pop.
Marie Baersch, Sony A7, Zeiss Loxia 21/2.8

What you’re doing when you have a wide-angle and you are usually a people shooter? I do not want to get back to landscape shots or something for testing but wanted to incoperate the lens in my normal shooting routine. So I was thinking how to put it to use. When you’re using a wide-angle you can be sure to have a lot of background in the frame, quite a lot actually. So I decided to set up a shoot at one of Leipzig’s most famous sights at all, the MONUMENT OF THE BATTLE OF THE NATIONS. Model Elias needed some suited-up shots for his portfolio aswell so it was a genuine idea to combine the 2 things. With a 2.8 aperture it is not really possible to hide your background in shallow focus so you got to make it count and that is exactly what we did.

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If you combine the Loxia with some dynamic model movements and
perspective lines it makes some very strong pictures in the end.
Alexander Waetzel, Sony A7, Zeiss Loxia 21/2.8
The imposing monument matched amazingly well with Elias‘ suit giving my final images great matching colors.
Alexander Waetzel, Sony A7, Zeiss Loxia 21/2.8
You have to position your model quite carefully to not loose it in the frame, but when you do it right the Loxia gives you a great field of view when you want to anchor your subject in your background. It forces you to think about your pictures and not just throw everything out of focus as you would with a longer prime lens.
Alexander Waetzel, Sony A7, Zeiss Loxia 21/2.8
The Loxia did a great job to transport a sense of depth even though you pretty much everything in focus!
Alexander Waetzel, Sony A7, Zeiss Loxia 21/2.8.

To make it a short conclusion, that lens is great. If you’re not completely into wide-angles it will make a great addition to your kit anyways and if you love them like I do you will love that very lens. It is razor-sharp wide open, vignetting is well controlled and using it is big fun! That being said it might come at a price, which I don’t know yet but im pretty certain it will be worth it.


My A7 with the new Loxia and my trusty MatBlac Handstrip.
We are still giving one away so make sure to subscribe to the blog to be in the game for that one.

Please give our models Elias & Vanessa some love and follow them on instagram! Without them this review would not be possible!

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16 Kommentare auch kommentieren

  1. Pixelkind sagt:

    Tolle Portraitbilder – und das mit einem WW! Mag ich sehr. Ich habe bislang das Loxia 35 mm an der A7RII im Einsatz. Schön das die Familie zuwachs bekommt. 🙂 Gruß Pixelkind

    1. AlexWaetzel sagt:

      Hi Pixelkind, ich warte auch noch darauf das 35iger zu testen!

  2. Martin sagt:

    Very nice photos, thanks.

  3. Everlast sagt:

    Mate, fix the use of ‚zoom ring‘ and ‚focus ring‘. I know it is a translation issue, but still.

    1. AlexWaetzel sagt:

      Thanks man, i just did! Sorry about that! 🙂

  4. David sagt:

    Nice Review! Can you tell me what kind of wrist strap that is on your A7?

    1. AlexWaetzel sagt:

      Hi there David, it is a Matblac Wriststrap and you can find a review about it here:


      If you want to subscribe to the black you can also get one, since we are giving one away!

  5. Now this is the kind of review I like. I hate the normal test photos that don’t really show what a lens can do, very good job.

    1. AlexWaetzel sagt:

      Thank you so much Wayne, that was exactly the intention! Glad you like it!

  6. thkpic sagt:

    Did you add any sharpening to these pics cause DAMN! They look…they look really good for a 21. Can’t say I’ve been all that impressed with most primes in that range. So what are we thinking here? let me pose a scenario….you can only take two loxia. Do you go 21 and 50 or……do you go 35 and wait for that 85mm. Which two would you prefer to have on you?

    Nice review by the way.

    1. AlexWaetzel sagt:


      thank you for taking the time to read through it!
      I always add some minor sharpening when I downscale picture for the web but be assured that lens is super sharp wide open. Your question is a tricky one and since I love wide angle primes I would probably go for the 35 and the 21!
      Hope I could help.

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